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Tom Smith is an internationally produced playwright and award-winning educator. His published plays include Drinking Habits, Drinking Habits 2: Caught in the Act, Dangerous, Marguerita's Secret Diary and The Odyssey (Concord Theatricals); ESL, What Comes Around, A Christmas Carol, Johnny and Sally Ann… and The Wild and Wacky Rhyming Stories of Miss Henrietta Humpledowning (YouthPLAYS); Gray (Original Works Publishing); and Two Gentlemen of Verona (editor) (Encore Performance Publishing). Monologues and scenes from his plays appear in twelve collections of works published by Meriwether Publishing and Smith & Kraus, and his short plays have been produced internationally.
His full-length plays have been enjoyed by audiences in cities across the U.S., including New York, Seattle, Kansas City, San Francisco, and Chicago, as well as in Australia, Austria, Belgium, Canada, Germany, Ireland, Korea, Latvia, Netherlands, New Zealand, Poland, Portugal, Romania, Slovakia, South Africa, Spain, Sweden, Switzerland, and the United Kingdom. Tom is the author of The Other Blocking: Teaching and Performing Improvisation (Kendall Hunt) as well as numerous articles and reviews for Theatre Journal, Theatre Topics, SDC Journal, The Players Journal, and several resource books.
Tom graduated from Whitman College with a BA in Dramatic Arts and earned his MFA in Directing from University of Missouri-Kansas City. He is a proud member of Dramatists Guild.
I write plays about identity: how we define ourselves to the world, how we protect parts of ourselves that we fear revealing, and how circumstances beyond our control can irrevocably redefine who we are. Having lived through a time when I had to shield my own identity as a gay man, I am drawn to characters who must hide, reinvent, or surrender parts of themselves out of necessity rather than choice.
My work is often issue-driven. I am drawn to flawed characters who nevertheless inspire empathy and compassion. I set much of my work in communities outside traditional urban areas to tell stories and give voice to those who are often overlooked. I also embrace moments that can only exist in live theatre–moments that seem impossible or out of place in film or everyday life. Those moments are what make theatre uniquely powerful to me.
I am inspired by playwrights like Lynn Nottage, who explores identity and the experience of marginalization and Craig Lucas, whose characters find their worlds shaken when they discover they are not who they believed themselves to be. Mostly, I am inspired by playwrights living and working outside of urban centers who embrace the bold act of writing plays without the support systems to help them develop their work found in larger communities.
Ultimately, I want to create theatre that demands conversation over coffee or a cocktail after the performance; provokes debate and discovery during talkbacks; and challenges the idea that we always know who we are. I want audiences to see how quickly circumstance can force us to become someone we never imagined we could be.
Tom Smith Playwrighting Resume (pdf)
DownloadPortland, Oregon, United States
For scripts and/or rights to my published work, visit the publishers directly. For my unpublished work or to contact me directly, please use this form.